Bunbury Regional Art Gallery Visual Story
1. Arrival and Parking
The Bunbury Regional Art Gallery (BRAG) building features a rose-coloured façade with cathedral peaks and crosses, constructed mainly of brick. The surrounding ground surfaces include bitumen car parks, red brick walkways, concrete paths, and green grass areas. Established trees provide shade along the pathways and near the entrance. Multiple car parks are adjacent to the gallery, including one accessible car parking space. A bus stop with a shelter is located directly in front of the gallery, connected by step-free concrete and brick paths. The site is enclosed by low brick walls and metal railings in some areas.
This area is used for vehicle parking, pedestrian access, and waiting at the bus stop. Activity levels may increase during gallery opening hours and events. Visitors may hear traffic noise from cars and buses on the adjacent road. Shade from trees may reduce sun exposure on walkways. The presence of grass and trees may contribute to mild natural scents. The bus shelter provides some protection from weather while waiting.
2. Entrance and Reception
The entrance features an automatic outward-opening glass door, with step-free concrete pathways leading inside. The building exterior is painted light pink with cream trim and includes a covered walkway with hanging circular decorations. Inside, the floors are a combination of polished wood and concrete, with white walls and high ceilings featuring exposed ductwork.
Access to the City Gallery is located directly to the right upon entry. Straight ahead, an outward-opening automatic glass door leads to a courtyard, where the toilets are located, and access to the elevator. To the left of the entrance, an inward-opening automatic glass door leads to the Lower Gallery and the stairwell.
3. City Gallery
The City Gallery space is accessed via an arched doorway to the right of the main entrance. The walls are painted in light blue and white, with the reception desk positioned near the entrance. The wooden floorboards are narrow and run lengthwise through the space. The ceiling has exposed ductwork and track lighting. Doorways connect this area to adjacent rooms and the reception area, with step-free access throughout. There is a doorway adjacent to the reception which leads through to a corridor and additional rooms, including BRAG Kids and the NAP Shop.
Visitors use this space to view art exhibits and often ask for directions at the reception desk. Activity levels may increase during exhibitions or events. The timber floors may produce creaking sounds when walked on. Lighting is primarily artificial with some natural light from the entrance. The space is quiet except for visitor movement and occasional conversation near reception.
4. NAP Shop
The NAP Shop is accessed via a doorway from the corridor. The space offers a selection of works created by artists in the NAP program, including paintings, sculptures, scarves, jewellery, books, and other items available for purchase. Displays change regularly. The space features high ceilings, white walls with orange arch accents, and polished timber floorboards that may creak underfoot. Artworks are displayed on walls and shelves, with some pieces suspended from ceiling-mounted wires.
Café-style wooden tables and bench seating are available within the space. To the right of the entrance, a small counter includes a coffee machine and tea-making facilities, with complimentary tea and coffee available. A children’s area includes small tables, chairs, and a selection of toys. Archways connect to adjacent rooms, and tall windows allow natural light into the space. Movement within the room is step-free, however the doorway may be narrow for some mobility equipment. The floor surface is smooth and may be slippery when wet.
5. Lower Gallery
The Lower Gallery is accessed from the left of the reception area through a doorway. The gallery features light blue walls with white horizontal strips for artwork display. The ceiling height varies along the space, with visible air conditioning ducts and vents. The floor is made of matte finish timber floorboards that creak underfoot. Lighting is provided by strip lights and spotlights mounted on the ceiling. The gallery contains white display pedestals and wall-mounted artworks. The entrance from the reception area has a concrete floor, while the gallery floor is timber.
This space is used for viewing and admiring artwork, with visitors typically moving slowly. The timber floorboards may creak with footsteps. The air conditioning vents produce a noticeable sound. Lighting creates focused illumination on the artworks. Activity levels may increase during exhibitions or events. The gallery is enclosed with walls and columns, and the layout allows step-free movement through the space.
6. Courtyard
This courtyard is enclosed by a two-storey gallery building with brick and pink stucco walls. The ground is paved with flat bricks, with some areas slightly uneven. A metal-framed roof with exposed beams provides partial shade, and wooden wind chimes hang overhead, creating soft tapping sounds in the wind. A large blue metal sculpture is positioned at the centre of the space. Bench seating lines the walls, and small tables with chairs are available near the gallery entrances.
Amenities are located adjacent to the courtyard. The female bathroom includes three toilets, one with grab rails, and a baby change table. A unisex accessible toilet is located next door and is accessed via an automatic door, activated by a green push button. This space includes a toilet with grab rails and a baby change table. The male bathroom is located next to the accessible toilet and includes three toilets, one with grab rails, as well as a baby change table. Lockers for storing personal items are available in both the male and female bathrooms.
7. Art Studio
The Art Studio is housed in a brick building adjacent to the courtyard and is accessed through a brick archway. The entrance features a step-free tiled path leading to a manually operated, outward opening door. Inside, the studio has white walls and a white ceiling with fluorescent lighting and a vinyl floor. The space contains wooden easels and trestles, long tables, and plastic chairs arranged for painting classes. Metal lockers and cupboards line the walls whilst shelves hold art supplies. The room is ventilated by ceiling fans and air conditioning units, with large frosted windows providing natural light.
This space is used for supervised painting classes and art activities. Activity levels may increase during class times. The strong smell of paint, acrylics, and glues is noticeable. Surfaces such as tables and easels show paint splatters. You may hear the sounds of brushes, conversation, and occasional movement of chairs. The environment is functional for creative work with clear pathways for movement around furniture and equipment.
8. Dance Studio
The Dance Studio is located at the end of the corridor connected to the City Gallery. Access is via a stepped entrance, with a small step down from the corridor into the studio, marked by a “Watch Your Step” sign. The studio features unpolished timber floorboards, white walls, and high ceilings. Large windows provide natural light, and mirrors are mounted along one wall. Timber ballet barres run along the walls.
The room includes a piano, chairs, and a bench positioned near a non-functional fireplace. Fluorescent lights are fixed to the ceiling. The surrounding corridor displays framed artworks on brightly painted wall sections. The studio is used for dance practice, where sounds of music, movement, and footwork such as jumps and thuds may be heard. Activity levels can be energetic compared to the quieter corridor outside.
9. First Floor Access
Access to the first floor galleries is available via two wooden spiral staircases or a large elevator within the gallery. The staircases are steep and may creak under weight, with handrails provided for support. The elevator provides step-free access and is spacious, allowing for easier movement, however it operates slowly between levels. Access to the elevator on the upper level is via the Chapel Gallery.
The upper level features timber floors, white walls, and colourful geometric wall art. The space includes narrow hallways with arched doorways and high ceilings. Doors with glass panels lead into gallery rooms furnished with wooden chairs and art displays. Signage is in place to assist with wayfinding and safety. Lighting includes hanging globe fixtures in shared spaces and track lighting within the gallery areas.
10. First Floor Galleries
The first floor includes the Chapel Gallery, the Fourth Gallery, the Ron Middleton Gallery, and the Nun’s Room, a preserved, sparse cell within the building’s historic structure. The Chapel Gallery features a high ceiling with a pitched roof and stained glass windows. Floors throughout are predominantly dark timber, with some areas of patterned tiles. Walls are painted white, and doorways include traditional timber doors.
The Fourth Gallery includes an audio-visual display of moving water projected onto a large screen, with bench seating available. The Ron Middleton Gallery and adjacent spaces feature hanging metallic foil panels in gold and silver, with chairs arranged in rows. The Nun’s Room is a small space with a single bed and minimal furnishings. Pathways are step-free with timber flooring, and door widths appear standard. Lighting is a mix of natural light and ceiling-mounted spotlights. Directional signage is provided throughout. Movement is generally slow, with creaking floorboards audible, and there may be a mild smell of paint or adhesives.

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